Tickets happen and when they do Florida Traffic Schools offer a answer. By taking a site visitors related course you have a chance of lowering the offense you might be charged with, lowering your fines and even keeping your driving record clear. In some instances by taking the class the charges will be dismissed and no points will be placed on your license. If you have been ordered to attend classes by the Court for alcohol related offenses or Anger Management or, in some counties, you’ve received a second ticket inside a twelve month period, there are classes specifically for that purpose.

Whatever your causes for wanting to attend a Florida Targeted traffic School you will find a wide selection of schools to choose from throughout the state. They’re as close as your yellow pages or by performing an on the web search. Discovering 1 in a neighborhood of one’s picking should not be a issue. They offer you hours which are handy to every one’s schedule with competitive rates which are inside every single spending budget. And to make it even greater, for every course which you take you receive your Certification of Completion exactly the same day you take the course. You’ll stay away from the hassle of having to go back to pick it up at a later date. This is very good if you have a court date that needs to be taken care of, you will be planning to change your insurance, or just desire to start off lowering your insurance premiums correct away. You are going to have the correct paperwork in hand.

British cavalry passing the ruins of Albert cathedral, France, during World War I


Image by National Library of Scotland
British cavalry passing the ruins of Albert cathedral, France, during World War I. World War I provided endless striking subjects for a photographer as skilled as Tom Aitken. There is something very funereal about the composition of this picture, with the procession of horses in the foreground trooping past the shell of a once-beautiful cathedral. The small town of Albert was badly damaged in fierce fighting during the Allied offensive of August 1918.

Cavalry was considered an important part of all armies at the start of World War I, but the regiments faced terrible difficulties on the Western Front. Differences and advances in military strategy, such as the use of barbed wire and the introduction of machine guns and new artillery, made the horses vulnerable as never before, and many cavalry troops ended up fighting instead as infantry.

[Original reads: 'OFFICIAL PHOTOGRAPH TAKEN ON THE BRITISH WESTERN FRONT IN FRANCE. Albert Cathedral showing cavalry passing by.']

digital.nls.uk/74549186

Mlle Babion et son professeur, Luchon, laiterie, 5 septembre 1895. Série A. Hanau n° 16


Image by Bibliothèque de Toulouse
Fonds Trutat – Photographie ancienne

Cote : TRU C 65
Localisation : Fonds ancien
Original non communicable

Titre : Mlle Babion et son professeur, Luchon, laiterie, 5 septembre 1895. Série A. Hanau n° 16

Auteur : Trutat, Eugène
Rôle de l’auteur : Photographe

Lieu de création : Bagnères-de-Luchon (Haute-Garonne)
Date de création : : 1895

Mesures : 5 x 6 cm
Mot(s)-clé(s) :
– Femme — Costume féminin — Chapeau — Homme — Costume masculin — Bicyclette — Apprentissage — Grille — Parc (public) — Laiterie — Divertissement et sport
– Babion, Mademoiselle — Compayré, Gabriel

– Bagnères-de-Luchon (Haute-Garonne) — Pique (France ; vallée) — Pyrénées (France)

– 19e siècle, 4e quart

Médium : Photographies — Négatifs sur plaque de verre — Noir et blanc — Scènes

Bibliothèque de Toulouse. Domaine public

Travel Air 4000


Image by San Diego Air & Space Museum Archives
Catalog #: 00072402
Manufacturer: Travel Air
Designation: 4000

Travel Air 9000


Image by San Diego Air & Space Museum Archives
Catalog #: 00072559
Manufacturer: Travel Air
Designation: 9000

Travel Air 4000


Image by San Diego Air & Space Museum Archives
Catalog #: 00072368
Manufacturer: Travel Air
Designation: 4000

Russian Pilgrims Returning from the Jordon


Image by Oregon State University Archives
Image Title: Russian Pilgrims Returning From the Jordon

Image Description from historic lecture booklet: "This picture is taken along the Jericho road looking west toward Jerusalem. The subject of the picture "Pilgrims" is one that has its place in all histories of religion. The present motley crowd is made up of a number of nationalities, but the majority are Russians. These have already been to the Jordon at their reputed places of the baptism of Jesus. and are now returning to the Holy City to partake in the festivities around the Holy Sepulchre which takes place at Easter."

Original Format: Lantern slides

Original Collection: Visual Instruction Department Lantern Slides

Item Number: P217:set 010 022

Restrictions: Permission to use must be obtained from the OSU Archives.

Click here to view The Best of the Archives.

Click here to view Oregon State University’s other digital collections.

We’re happy for you to share this digital image within the spirit of The Commons; however, certain restrictions on high quality reproductions of the original physical version may apply. To read more about what “no known restrictions” means, please visit the OSU Archives website.

The Jordan Valley or Plain of Jericho


Image by Oregon State University Archives
Image Title: The Jordan Valley or Plain of Jericho

Image Description from historic lecture booklet: "On the last steep descent on the road from Jerusalem is a view of scenes deeply interesting, the Jordon Valley or plain of Jericho. The width of the plain here is sixteen miles and would require fully five hours by ordinary travel from this point, to gain the foot of the mountains of Moab, which may be seen beyond the plain.

The ruins of ancient Jericho of Joshua’ time are around the mountain to the left of this picture just beyond the vision. The Jericho of Herod in the time of Christ is supposed to have occupied a position on the plain at the foot of this descent. The bed of the Jordon is about the center of the plain.

On the left may be seen the path on the northern bank of the brook Cherith. The path begins at the Elijah Convent. After leaving Elijah Convent, the path traverses the side of the gorge, very precipitous above and below. Numerous are the caverns and cells which have accommodated hermits and anchorites for many centuries. These caves may be seen on either side of the gorge."

Original Format: Lantern slides

Original Collection: Visual Instruction Department Lantern Slides

Item Number: P217:set 010 024

Restrictions: Permission to use must be obtained from the OSU Archives.

Click here to view The Best of the Archives.

Click here to view Oregon State University’s other digital collections.

We’re happy for you to share this digital image within the spirit of The Commons; however, certain restrictions on high quality reproductions of the original physical version may apply. To read more about what “no known restrictions” means, please visit the OSU Archives website.

Wielrenners passeren het Atomium/Racing cyclists pass the Atomium (Brussels)


Image by Nationaal Archief
Nationaal Archief

Beschrijving: Wielrenners passeren het Atomium

Datum: 28 juni 1960

Bestanddeelnummer 911-3743

Vervaardiger: Anefo / Pot, Harry

URL: beeldbank.nationaalarchief.nl/na:col1:dat97121

Voor meer informatie over het Nationaal Archief: www.nationaalarchief.nl

Voor meer foto’s uit deze en andere collecties, bezoek onze Beeldbank:, www.beeldbank.nationaalarchief.nl

U kunt ons helpen onze kennis van de fotocollecties te verrijken door tags en commentaren toe te voegen. Herkent u mensen of locaties of heeft u een bijzonder verhaal te vertellen bij één van de foto’s, laat dan een reactie achter (als u ingelogd bent bij Flickr) of stuur een mailtje naar: flickrthecommons@nationaalarchief.nl

The Coles sisters on a bicycle trip from Montreal to Ottawa, QC-ON, 1916 1916, 20th century


Image by Musée McCord Museum
MP-1976.175.1
The Coles sisters on a bicycle trip from Montreal to Ottawa, QC-ON, 1916
1916, 20th century
Notman photographic Archives – McCord Museum

MP-1976.175.1
Les soeurs Coles lors d’une excursion à bicyclette entre Montréal et Ottawa, QC-ON, 1916
1916, 20e siècle
Archives photographiques Notman – Musée McCord

To see the image file on the McCord Museum website, click on the following link: www.mccord-museum.qc.ca/en/collection/artifacts/MP-1976.175.1

Pour voir la fiche descriptive de cette photographie sur le site Web du Musée McCord, cliquer le lien suivant:
www.mccord-museum.qc.ca/fr/collection/artefacts/MP-1976.175.1

Dog Riding a Tricycle


Image by National Media Museum
Collection of (National Media Museum (photographer unknown)

We’re happy for you to share this digital image within the spirit of The Commons. Certain restrictions on high quality reproductions of the original physical version of apply though; if you’re unsure please visit the National Media Museum website.

For obtaining reproductions of selected images please go to the Science and Society Picture Library.

Beckt (LOC)


Image by The Library of Congress
Bain News Service,, publisher.

Beckt

[between ca. 1910 and ca. 1915]

1 negative : glass ; 5 x 7 in. or smaller.

Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).

Format: Glass negatives.

Rights Info: No known restrictions on publication.

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

Persistent URL: hdl.loc.gov/loc.pnp/ggbain.13917

Call Number: LC-B2- 2795-7

Perchicot, 12/6/12 (LOC)


Image by The Library of Congress
Bain News Service,, publisher.

Perchicot, 12/6/12

12/06/1912 (date created or published later by Bain)

1 negative : glass ; 5 x 7 in. or smaller.

Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).

Format: Glass negatives.

Rights Info: No known restrictions on publication.

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

Persistent URL: hdl.loc.gov/loc.pnp/ggbain.11014

Call Number: LC-B2- 2463-1

Travel Air 4000


Image by San Diego Air & Space Museum Archives
Catalog #: 00072369
Manufacturer: Travel Air
Designation: 4000

Travel Air 4000


Image by San Diego Air & Space Museum Archives
Catalog #: 00072390
Manufacturer: Travel Air
Designation: 4000

Travel Air 4000


Image by San Diego Air & Space Museum Archives
Catalog #: 00072418
Manufacturer: Travel Air
Designation: 4000

Untitled


Image by Smithsonian Institution
Description: Thomas Smillie was the Smithsonian’s first photographer and curator of photography. He and his studio staff were responsible for collecting and duplicating images brought back by scientists and curators traveling on business in other cities throughout the world, many of which often described the structures of other museums.

Creator/Photographer: Thomas Smillie
Birth Date: 1843
Death Date: 1917

Born in Edinburgh, Scotland, in 1843, Thomas William Smillie immigrated to the United States with his family when he five years old. After studying chemistry and medicine at Georgetown University, he took a job as a photographer at the Smithsonian Institution, where he stayed for nearly fifty years until his death in 1917. Smillie’s duties and accomplishments at the Smithsonian were vast: he documented important events and research trips, photographed the museum’s installations and specimens, created reproductions for use as printing illustrations, performed chemical experiments for Smithsonian scientific researchers, and later acted as the head and curator of the photography lab. Smillie’s documentation of each Smithsonian exhibition and installation resulted in an informal record of all of the institution’s art and artifacts. In 1913 Smillie mounted an exhibition on the history of photography to showcase the remarkable advancements that had been made in the field but which he feared had already been forgotten.

Medium: Cyanotype

Date: 1890

Persistent URL: http://photography.si.edu/SearchImage.aspx?t=5&id=1914&q=RU95_Box76_019

Repository: Smithsonian Institution Archives

Accession number: RU95_Box76_019

Untitled


Image by Smithsonian Institution
Description: As the Smithsonian’s first photographer and curator of photography, Thomas Smillie used images to catalog the much of the institution’s physical object collection, ranging from stuffed animals to plant fossils, decorative boxes, and beyond. The photographs themselves are now part of the Smithsonian’s collection.

Creator/Photographer: Thomas Smillie
Birth Date: 1843
Death Date: 1917

Born in Edinburgh, Scotland, in 1843, Thomas William Smillie immigrated to the United States with his family when he five years old. After studying chemistry and medicine at Georgetown University, he took a job as a photographer at the Smithsonian Institution, where he stayed for nearly fifty years until his death in 1917. Smillie’s duties and accomplishments at the Smithsonian were vast: he documented important events and research trips, photographed the museum’s installations and specimens, created reproductions for use as printing illustrations, performed chemical experiments for Smithsonian scientific researchers, and later acted as the head and curator of the photography lab. Smillie’s documentation of each Smithsonian exhibition and installation resulted in an informal record of all of the institution’s art and artifacts. In 1913 Smillie mounted an exhibition on the history of photography to showcase the remarkable advancements that had been made in the field but which he feared had already been forgotten.

Medium: Cyanotype

Culture: American

Date: 1890-12-31

Collection: Thomas Smillie Collection (Record Unit 95) – Thomas Smillie served as the first official photographer for the Smithsonian Institution from 1870 until his death in 1917. As head of the photography lab as well as its curator, he was responsible for photographing all of the exhibits, objects, and expeditions, leaving an informal record of early Smithsonian collections.

Persistent URL: http://photography.si.edu/SearchImage.aspx?t=5&id=2114&q=RU95_Box78_0021

Repository: Smithsonian Institution Archives

Accession number: RU95_Box78_0021

La leçon de bicyclette, Mlle Colomès, G. Compayre, Luchon, septembre 1895. Série A. Hanau n° 29


Image by Bibliothèque de Toulouse
Fonds Trutat – Photographie ancienne

Cote : TRU C 26
Localisation : Fonds ancien
Original non communicable

Titre : La leçon de bicyclette, Mlle Colomès, G. Compayre, Luchon, septembre 1895. Série A. Hanau n° 29

Auteur : Trutat, Eugène
Rôle de l’auteur : Photographe

Lieu de création : Bagnères-de-Luchon (Haute-Garonne)
Date de création : : 1895

Mesures : 6 x 5 cm
Mot(s)-clé(s) :
– Homme — Femme — Allée — Bicyclette — Divertissement et sport — Apprentissage — Arbre
– Compayré, Gabriel — Colomès, Mademoiselle

– Bagnères-de-Luchon (Haute-Garonne) — Pyrénées (France) — Pique (France ; vallée)

– 19e siècle, 4e quart

Médium : Photographies — Négatifs sur plaque de verre — Noir et blanc — Scènes

Voir :
TRU B 38 Mlle Babion, G. et M. Compayré, Luchon, 5
TRU B 40 Mlle Babion, G. et M. Compayré, Luchon, 5
TRU C 25 Mlle Babion, G. Compayre, Henri, [à bicyclette],

http://numerique.bibliotheque.toulouse.fr/cgi-bin/library?c=photographiesanciennes&a=d&d=/ark:/74899/B315556101_TRUC0026

Bibliothèque de Toulouse. Domaine public

Officer going up to find positions for his guns


Image by National Library of Scotland
Scene on the Amiens-St Quentin Road. An officer on a motorbike, travelling along a muddy and deserted road. Once tree-lined, all that remains of the trees are splintered and lifeless trunks. The fields on either side of the road are flat and lifeless. It is a depressing and desolate scene.

Whilst many scenes were deliberately taken as propaganda, some, like this, manage to document the damaging effects of war on the French landscape.

[Original reads: 'OFFICIAL PHOTOGRAPH TAKEN ON THE BRITISH WESTERN FRONT IN FRANCE - Scene on the Amiens-St Quentin Road. Officer going up to find positions for his guns.']

digital.nls.uk/74546360

Thalhimers, boy’s bicycle


Image by The Library of Virginia
Title: Thalhimers, boy’s bicycle

Creator: Adolph B. Rice Studio

Date: August 6, 1957

Identifier: Rice Collection 1500D

Format: 1 negative, safety film, 4 x 5 in.

Rights Info: No known restrictions on publication.

Repository: Library of Virginia, Prints and Photographs, 800 E. Broad St., Richmond, VA, 23219, USA, digitool1.lva.lib.va.us:8881/R

Grenda, 12/9/12 (LOC)


Image by The Library of Congress
Bain News Service,, publisher.

Grenda, 12/9/12

12/09/1912 (date created or published later by Bain)

1 negative : glass ; 5 x 7 in. or smaller.

Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).

Format: Glass negatives.

Rights Info: No known restrictions on publication.

Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print

General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain

Persistent URL: hdl.loc.gov/loc.pnp/ggbain.11015

Call Number: LC-B2- 2463-2

Jaap Kersten in Gramont


Image by Nationaal Archief
Nationaal Archief

Beschrijving: Jaap Kersten tijdens de klim in Gramont (Geraardsbergen)

Datum: 23 juni 1961

Bestanddeelnummer 912-6734

Vervaardiger: Anefo / Pot, Harry

URL: beeldbank.nationaalarchief.nl/na:col1:dat110034

Voor meer informatie over het Nationaal Archief: www.nationaalarchief.nl

Voor meer foto’s uit deze en andere collecties, bezoek onze Beeldbank:, www.beeldbank.nationaalarchief.nl

U kunt ons helpen onze kennis van de fotocollecties te verrijken door tags en commentaren toe te voegen. Herkent u mensen of locaties of heeft u een bijzonder verhaal te vertellen bij één van de foto’s, laat dan een reactie achter (als u ingelogd bent bij Flickr) of stuur een mailtje naar: flickrthecommons@nationaalarchief.nl